{"id":494,"date":"2013-08-09T10:48:50","date_gmt":"2013-08-09T10:48:50","guid":{"rendered":"http:\/\/www.kathak.pl\/?p=494"},"modified":"2020-01-25T10:34:51","modified_gmt":"2020-01-25T10:34:51","slug":"tempo-layah","status":"publish","type":"post","link":"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/","title":{"rendered":"Tempo &#8211; layah"},"content":{"rendered":"<h1>Tempo &#8211; layah.<\/h1>\n<p style=\"text-align: justify;\">Umiej\u0119tno\u015b\u0107 szybkiego rozpoznania tempa, jest kluczow\u0105 dla tancerzy, kt\u00f3rzy wyst\u0119puj\u0105 do muzyki na \u017cywo. Zar\u00f3wno tancerz, jak i muzycy musz\u0105 umie\u0107 &#8222;trzyma\u0107 sta\u0142e layah&#8221;, czyli utrzymywa\u0107 tempo. Layah powinno by\u0107 niezmienne, niezale\u017cnie od szybko\u015bci form, kt\u00f3re w nie wpisujemy. Chc\u0105c przybli\u017cy\u0107 to poj\u0119cie mo\u017cna por\u00f3wna\u0107 wyczucie layah, do wyczucia tempa wyznaczanego metronomem.<\/p>\n<p style=\"text-align: justify;\">Poetycko za\u015b, mo\u017cna je odnie\u015b\u0107 do<span style=\"font-size: 18pt;\"><em> pulsowania serca lub rytmu \u017cycia, kt\u00f3ry powinien by\u0107 sta\u0142y niezale\u017cnie od wydarze\u0144 i emocji jakie ogarniaj\u0105 cz\u0142owieka<\/em><\/span>.<\/p>\n<p>&nbsp;<\/p>\n<h2>W muzyce hindustani wyr\u00f3\u017cnia si\u0119 trzy tempa:<\/h2>\n<p>Vilambeet laya (wolne)<\/p>\n<p>Madhya laya (\u015brednie)<\/p>\n<p>Drut laya (szybkie)<\/p>\n<p><em>Pos\u0142uchaj nagrania\u00a0<span style=\"color: #800000;\"><a href=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/Audio.wma\"><span style=\"color: #800000;\">tintal theka w trzech tempach<\/span><\/a><\/span>\u00a0<span style=\"color: #999999;\"><em>(kliknij na link, aby odtworzy\u0107 \u00a0muzyk\u0119)<\/em><\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<h1>Jak si\u0119 buduje tempo?<\/h1>\n<p>W uproszczeniu tempo si\u0119 podwaja, czyli tempo <em>madhya<\/em> jest dwa razy szybsze ni\u017c <em>vilambeet<\/em>, a tempo <em>drut<\/em> &#8211; cztery razy szybsze od <em>vilambeetu.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h2><em>Theka tintali <\/em>(podstawowe sylaby cyklu rytmicznego na 16 bit\u00f3w) w tempie<em> vilambeet<\/em><\/h2>\n<p>(na jedn\u0105 <em>matr\u0119 <\/em>przypada jedna sylaba)<\/p>\n<p>x (sam) Dha<\/p>\n<p>2- Dhin<\/p>\n<p>3- Dhin<\/p>\n<p>4 -Dha<\/p>\n<p>5 (tali)- Dha<\/p>\n<p>6- Dhin<\/p>\n<p>7- Dhin<\/p>\n<p>8- Dha<\/p>\n<p>o (khali) -Ta<\/p>\n<p>10- Tin<\/p>\n<p>11 -Tin<\/p>\n<p>12 -Ta<\/p>\n<p>13 (tali) -Dha<\/p>\n<p>14- Dhin<\/p>\n<p>15 -Dhin<\/p>\n<p>16 -Dha<\/p>\n<p><em>pos\u0142uchaj nagrania\u00a0<span style=\"color: #800000;\"><a href=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/tintaal-vilambeet-theka.wma\"><span style=\"color: #800000;\">tintaal vilambeet theka<\/span><\/a><\/span>\u00a0<span style=\"color: #999999;\">(kliknij na link, aby odtworzy\u0107 \u00a0muzyk\u0119)<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #800000;\">W <em>Madhya laya<\/em><\/span>\u00a0&#8211; \u015brednie tempo, (na jedn\u0105 matr\u0119 przypadaj\u0105 dwie sylaby):<\/h2>\n<p>x- dha dhin<\/p>\n<p>2 &#8211; dhin dha<\/p>\n<p>3- dha dhin<\/p>\n<p>4- dhin dha<\/p>\n<p>5(tali)- ta tin<\/p>\n<p>6- tin ta<\/p>\n<p>7- dha dhin<\/p>\n<p>8- dhin dha<\/p>\n<p>0 (khali)- dha dhin<\/p>\n<p>10- dhin dha<\/p>\n<p>11- dha dhin<\/p>\n<p>12- dhin dha<\/p>\n<p>13 (tali)- ta tin<\/p>\n<p>14- tin ta<\/p>\n<p>15- dha dhin<\/p>\n<p>16- dhin dha<\/p>\n<p>x (sam)-dha<\/p>\n<p><em>pos\u0142uchaj nagrania\u00a0\u00a0<span style=\"color: #800000;\"><a href=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/tintal-theka-madhya-layah.wma\"><span style=\"color: #800000;\">tintal theka madhya layah<\/span><\/a><\/span>\u00a0<span style=\"color: #999999;\">(kliknij na link, aby odtworzy\u0107 \u00a0muzyk\u0119)<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #800000;\"><em>Drut laya<\/em><\/span>\u00a0-szybkie tempo, (na jedna matr\u0119 przypadaj\u0105 4 sylaby podstawowe):<\/h2>\n<p>x- dha dhin dhin dha<\/p>\n<p>2- dha dhin dhin dha<\/p>\n<p>3- ta tin tin ta<\/p>\n<p>4- dha dhin dhin dha<\/p>\n<p>5 (tali)- dha dhin dhin dha<\/p>\n<p>6- dha dhin dhin dha<\/p>\n<p>7- ta tin tin ta<\/p>\n<p>8- dha dhin dhin dha<\/p>\n<p>0- (khali)dha dhin dhin dha<\/p>\n<p>10- dha dhin dhin dha<\/p>\n<p>11- ta tin tin ta<\/p>\n<p>12- dha dhin dhin dha<\/p>\n<p>13 (tali) dha dhin dhin dha<\/p>\n<p>14- dha dhin dhin dha<\/p>\n<p>15- ta tin tin ta<\/p>\n<p>16- dha dhin dhin dha<\/p>\n<p>x (sam)- dha<\/p>\n<p><em>pos\u0142uchaj nagrania\u00a0<span style=\"color: #800000;\"><a href=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/tintal-theka-drut-layah.wma\"><span style=\"color: #800000;\">tintal theka drut layah<\/span><\/a><\/span>\u00a0<span style=\"color: #999999;\">(kliknij na link, aby odtworzy\u0107 \u00a0muzyk\u0119)<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tempo &#8211; layah. Umiej\u0119tno\u015b\u0107 szybkiego rozpoznania tempa, jest kluczow\u0105 dla tancerzy, kt\u00f3rzy wyst\u0119puj\u0105 do muzyki na \u017cywo. Zar\u00f3wno tancerz, jak i muzycy musz\u0105 umie\u0107 &#8222;trzyma\u0107 sta\u0142e layah&#8221;, czyli utrzymywa\u0107 tempo. Layah powinno by\u0107 niezmienne, niezale\u017cnie od szybko\u015bci form, kt\u00f3re w nie wpisujemy. Chc\u0105c przybli\u017cy\u0107 to poj\u0119cie mo\u017cna por\u00f3wna\u0107 wyczucie layah, do wyczucia tempa wyznaczanego metronomem. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1098,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[132,24],"tags":[3,28,25,37,36,23],"class_list":["post-494","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ciekawostki","category-technika-tanca-kathak","tag-kathak","tag-rytm","tag-technika","tag-theka","tag-tintal","tag-warsztaty","czr-hentry"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3WX9O-7Y","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":450,"url":"https:\/\/www.kathak.pl\/kathak\/melodia-_tala_lehra_theka\/","url_meta":{"origin":494,"position":0},"title":"Tala | lehra | theka &#8211; cykl melodii do ta\u0144ca kathak","author":"Magda","date":"8 sierpnia, 2013","format":false,"excerpt":"Tala\/lehra\/theka podstawowe poj\u0119cia okre\u015blaj\u0105ce melodi\u0119 w muzyce indyjskiej. 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