{"id":450,"date":"2013-08-08T15:08:08","date_gmt":"2013-08-08T15:08:08","guid":{"rendered":"http:\/\/www.kathak.pl\/?p=450"},"modified":"2025-04-02T14:13:35","modified_gmt":"2025-04-02T14:13:35","slug":"melodia-_tala_lehra_theka","status":"publish","type":"post","link":"https:\/\/www.kathak.pl\/kathak\/melodia-_tala_lehra_theka\/","title":{"rendered":"Tala | lehra | theka &#8211; cykl melodii do ta\u0144ca kathak"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">W muzyce indyjskiej melodi\u0119 okre\u015bla <em>tala<\/em> oraz <em>raaga<\/em>.<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Tala<\/em> &#8211; dos\u0142ownie znaczy &#8222;klap&#8221;, metrum muzyczne wyznaczone przez ilo\u015b\u0107, &#8222;<em>matr<\/em>&#8221; (bit\u00f3w). Wyznacza d\u0142ugo\u015b\u0107 trwania frazy melodyjnej.<\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Raaga &#8211; okre\u015bla typ melodii i ton o charakterystycznym wyrazie emocjonalnym poprzez dob\u00f3r okre\u015blonych d\u017awi\u0119k\u00f3w (<em>swara<\/em>) do budowania struktury melodii<\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><em><strong>Lehera\/nagma<\/strong><\/em> &#8211; podstawowa stale powtarzaj\u0105ca si\u0119 melodia osadzona w danej <em>tala <\/em>i<em> raaga<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Na og\u00f3\u0142 u\u017cywana przy prezentacji form technicznych ta\u0144ca kathak oraz do gry solo na <em>tabli <\/em>(instrument perkusyjny sk\u0142adaj\u0105cy si\u0119 z dw\u00f3ch b\u0119bn\u00f3w) lub <em>pakhavaj<\/em> (dwustronny b\u0119ben).&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Theka &#8211; sta\u0142y wz\u00f3r sylab rytmicznych okre\u015blaj\u0105cych dan\u0105 taal\u0119 <\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">LEH &#8211; tempo &#8211; puls ta\u0144ca<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Tak jak nasze serce nadaje rytm dla organizmu, tak samo wszystko w przyrodzie ma swoje tempo, puls, a d\u017awi\u0119ki i zdarzenia tworz\u0105 wok\u00f3\u0142 niego melodi\u0119. Podobnie taniec i muzyka Indii opiera si\u0119 na &#8222;<em>leh<\/em>&#8222;, czyli tempie &#8211; sta\u0142ym &#8222;tykaniu&#8221; pojedy\u0144czych bit\u00f3w.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tempo-<em>leh&nbsp;<\/em>tworzy baz\u0119 dla struktury rytmicznej. Dzi\u0119ki niemu mo\u017cliwa jest improwizacja taneczno muzyczna. Muzycy i tancerze musz\u0105 trzyma\u0107 wsp\u00f3lne tempo, aby akcenty muzyczne pokrywa\u0142y si\u0119 w tych samych momentach.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dzi\u0119ki temu koncerty muzyki indyjskiej odbywa\u0142y si\u0119 cz\u0119sto bez pr\u00f3b. Charakterystyczne wybijanie d\u0142o\u0144mi tempa pe\u0142ni funkcj\u0119 wsp\u00f3\u0142czesnego metronomu, tancerz recytuj\u0105c sylaby rytmiczne, kt\u00f3re zamierza wyta\u0144czy\u0107, okre\u015bla d\u0142o\u0144mi tempo <a href=\"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/\">(layah)<\/a>, jednocze\u015bnie pokazuj\u0105c muzykom, miejsce wypadania najwa\u017cniejszych akcent\u00f3w kompozycji. Nast\u0119pnie odbywa si\u0119 wsp\u00f3lna improwizacja osadzona w danej<em> tali&#8230;.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: revert; font-size: revert; font-weight: revert;\">Jak &#8222;wyklepuje si\u0119&#8221; <em>tala<\/em> oraz wzory podstawowych sylab je okre\u015blaj\u0105ce&nbsp;<\/span><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" data-attachment-id=\"2192\" data-permalink=\"https:\/\/www.kathak.pl\/kathak\/melodia-_tala_lehra_theka\/dsc_0010\/\" data-orig-file=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010.jpg\" data-orig-size=\"2662,1756\" data-comments-opened=\"1\" data-image-title=\"Taala beat\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-500x330.jpg\" src=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-300x198.jpg\" alt=\"taala\" class=\"wp-image-2192\" srcset=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-300x198.jpg 300w, https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-200x132.jpg 200w, https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-768x507.jpg 768w, https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/DSC_0010-500x330.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">TINTAL (16 bit\u00f3w), 3<em> tali<\/em> (klapni\u0119cia), 4 <em>vibhag<\/em> po 4 <em>matry<\/em> w ka\u017cdym (podzia\u0142 na podgrupy bit\u00f3w), grana w trzech tempach: <em>vilambeet<\/em> (wolne tempo), <em>madhya<\/em> (\u015brednie tempo), <em>drut<\/em> (szybkie tempo). <a href=\"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/\" data-type=\"post\" data-id=\"494\">Zobacz tak\u017ce wpis na temat layah &#8211; tempo<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Spos\u00f3b wybijania <em>tali<\/em>, czyli pokazywania tempa d\u0142o\u0144mi dla<span style=\"color: #808080;\"> <a title=\"Theka\" href=\"https:\/\/www.kathak.pl\/kathak\/theka\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #808080;\"><em>tintali<\/em><\/span><\/a><\/span> (cykl 16 bit\u00f3w) w trzecim tempie (<span style=\"color: #808080;\"><a title=\"Tempo ? layah\" href=\"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #808080;\"><em>drut layah<\/em><\/span><\/a><\/span>):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec| ca\u0142a, palec| khali (czyli puste machni\u0119cie r\u0119ka w powietrzu) palec| ca\u0142a, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">tintal w <em>vilambeet layah<\/em> (w wolnym tempie):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec, palec, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec, palec, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|khali, palec, palec, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec, palec, palec|<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">THEKA TINTALI<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">|Dha, Dhin, Dhin, Dha|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|Dha, Dhin, Dhin, Dha|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|Dha, Tin, Tin, Ta|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|Ta, Dhin, Dhin, Dha|<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Japtal (10 bit\u00f3w) 3 <em>tali<\/em>, 1 <em>khali<\/em>, 4 <em>vibhag<\/em> (2 i 3 matry)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec | ca\u0142a, palec, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|khali, palec| ca\u0142a, palec, palec|<\/p>\n\n\n<h3>THEKA JAPTAL<\/h3>\n<p>|Dhi Na | Dhi Dhi Na |<\/p>\n<p>|Ti Na \u00a0| Ti Ti Na |<\/p>\n\n\n<h2 class=\"wp-block-heading\">Dhamar (14 bit\u00f3w), 3 <em>tali<\/em>, 1 <em>khali<\/em>, 4 <em>vibhag<\/em> (5+2+3+4 matry)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">|ca\u0142a, palec, palec, palec, palec| ca\u0142a, palec|<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">|khali, palec, palec| ca\u0142a, palec, palec, palec|<\/p>\n\n\n<h3>THEKA DHAMAR<\/h3>\n<p>|Ka Dhi Te Dhi Te |Dha S|<\/p>\n<p>|Ga Ti Te |Ti Te Ta S|<\/p>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">RYTM<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Dla muzyka i tancerza ca\u0142y \u015bwiat wybija rytm. Pulsuje. Ruch zaczyna si\u0119 i ko\u0144czy zgodnie z tempem, trwa kr\u00f3cej lub d\u0142u\u017cej, wolny &#8211; ci\u0105g\u0142y, lub szybki &#8211; urwany. Ka\u017cde uderzenie stopy wyznacza sylaba.&nbsp;Melodia tworzy si\u0119 z d\u0142ugo\u015bci trwania poszczeg\u00f3lnych d\u017awi\u0119k\u00f3w i ciszy pomi\u0119dzy nimi.<br>Gdy wejdzie si\u0119 na drog\u0119 muzyki i ta\u0144ca, rytmiczne pulsowanie staje si\u0119 na\u0142ogiem. Wszystkie d\u017awi\u0119ki porz\u0105dkowane przez nasze wewn\u0119trzne tempo uk\u0142adaj\u0105 si\u0119 w melodi\u0119.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">W metrze, w autobusie, prowadz\u0105c skuter, zmywaj\u0105c, rozmawiaj\u0105c, stopa delikatnie wybija rytm, a umys\u0142 dyktuje sylaby: dha dhin dhin dha, ta tin tin ta<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U\u017bYTECZNA LISTA z Leher\u0105 do ta\u0144ca w r\u00f3\u017cnych tempach:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=pl-PL&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PLbT8We63SpHziZMSw_uvrsTvnmu2f2sFF\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Tala\/lehra\/theka podstawowe poj\u0119cia okre\u015blaj\u0105ce melodi\u0119 w muzyce indyjskiej.<br \/>\nJak wyklepa\u0107 tal\u0119? Jakie s\u0105 sylaby dla podstawowych tali do ta\u0144ca?<\/p>\n","protected":false},"author":1,"featured_media":1181,"comment_status":"open","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[24],"tags":[3,28,25,37,23],"class_list":["post-450","post","type-post","status-publish","format-standard","has-post-thumbnail","category-technika-tanca-kathak","tag-kathak","tag-rytm","tag-technika","tag-theka","tag-warsztaty","czr-hentry"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3WX9O-7g","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":44,"url":"https:\/\/www.kathak.pl\/kathak\/theka\/","url_meta":{"origin":450,"position":0},"title":"Theka &#8211; tintaal, japtaal, dhamar, ashtamanagal","author":"Magda","date":"15 marca, 2013","format":false,"excerpt":"Theka\u00a0- powtarzalny, sta\u0142y wz\u00f3r rytmiczny (zestaw sylab mnemonicznych) okre\u015blaj\u0105cy dan\u0105 tal\u0119.\u00a0 \u00a0Sprawd\u017a sylaby dla tintali, japtal, dhamar, ashtamangal, tivra!!! Taniec \"do theki\" oznacza, \u017ce tancerz egzekwuje kompozycje rytmiczne, podczas gdy muzycy graj\u0105 tylko podstawowe sylaby danej taali (cyklu). \u00a0 Np theka Tintali, czyli podstawowy wz\u00f3r sylab dla cyklu sk\u0142adaj\u0105cego si\u0119\u2026","rel":"","context":"W \u201eAKTUALNO\u015aCI&quot;","block_context":{"text":"AKTUALNO\u015aCI","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/aktualnosci\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/music2m.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":494,"url":"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/","url_meta":{"origin":450,"position":1},"title":"Tempo &#8211; layah","author":"Magda","date":"9 sierpnia, 2013","format":false,"excerpt":"Tempo - layah. Umiej\u0119tno\u015b\u0107 szybkiego rozpoznania tempa, jest kluczow\u0105 dla tancerzy, kt\u00f3rzy wyst\u0119puj\u0105 do muzyki na \u017cywo. Zar\u00f3wno tancerz, jak i muzycy musz\u0105 umie\u0107 \"trzyma\u0107 sta\u0142e layah\", czyli utrzymywa\u0107 tempo. Layah powinno by\u0107 niezmienne, niezale\u017cnie od szybko\u015bci form, kt\u00f3re w nie wpisujemy. Chc\u0105c przybli\u017cy\u0107 to poj\u0119cie mo\u017cna por\u00f3wna\u0107 wyczucie layah,\u2026","rel":"","context":"W \u201eCIEKAWOSTKI&quot;","block_context":{"text":"CIEKAWOSTKI","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/ciekawostki\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":259,"url":"https:\/\/www.kathak.pl\/kathak\/magdalena-niernsee\/","url_meta":{"origin":450,"position":2},"title":"O autorce &#8211; Magdalena Niernsee","author":"Magda","date":"17 marca, 2017","format":false,"excerpt":"Tancerka Kathak o profesjonalnym wykszta\u0142ceniu kierunkowym. Absolwentka Wy\u017cszej Szko\u0142y Ta\u0144ca Kathak \u2013 Kathak Kendra w New Delhi (stypendystka ICCR w latach 2009-2013).","rel":"","context":"W \u201eMAGDALENA NIERNSEE&quot;","block_context":{"text":"MAGDALENA NIERNSEE","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/magdalena-niernsee\/"},"img":{"alt_text":"taniec kathak","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2023\/03\/315641785_5545084352212712_1447192314065970634_n-e1679085263631.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":37,"url":"https:\/\/www.kathak.pl\/kathak\/bol-mnemoniczne-sylaby-w-tancu-kathak\/","url_meta":{"origin":450,"position":3},"title":"Jati &#8211; co to jest w technice Kathak?","author":"Magda","date":"15 marca, 2013","format":false,"excerpt":"Jati- tym okre\u015bleniem oznacza si\u0119 podzia\u0142 matry (czyli pojedy\u0144czego bitu\/taktu) wed\u0142ug wzoru rytmicznego. \u00a0 W muzyce indyjskiej wyr\u00f3\u017cnia si\u0119 5 wzor\u00f3w podzia\u0142u matry: tisra jati ? podzia\u0142 matry na 3, wz\u00f3r rytmiczny: ta ki ta chatusra jati ? podzia\u0142 na 4, wz\u00f3r: ta ka di mi khanda jati ? podzia\u0142\u2026","rel":"","context":"W \u201etechnika ta\u0144ca Kathak&quot;","block_context":{"text":"technika ta\u0144ca Kathak","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/technika-tanca-kathak\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3721,"url":"https:\/\/www.kathak.pl\/kathak\/tatkaar-krok-podstawowy\/","url_meta":{"origin":450,"position":4},"title":"Tatkaar &#8211; krok podstawowy","author":"Magda","date":"13 kwietnia, 2021","format":false,"excerpt":"Tatkaar - krok podstawowy. Taniec kathak. Lekcja online dla pocz\u0105tkuj\u0105cych.","rel":"","context":"W \u201eAKTUALNO\u015aCI&quot;","block_context":{"text":"AKTUALNO\u015aCI","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/aktualnosci\/"},"img":{"alt_text":"Tatkaar","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2021\/04\/IMG_9148.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2021\/04\/IMG_9148.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2021\/04\/IMG_9148.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2021\/04\/IMG_9148.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2184,"url":"https:\/\/www.kathak.pl\/kathak\/portfolio\/koncert-muzyki-indyjskiej\/","url_meta":{"origin":450,"position":5},"title":"KONCERT &#8211; Natya raaga project","author":"Magda","date":"5 lutego, 2019","format":false,"excerpt":"KONCERT - Natya raaga project Koncert muzyki indyjskiej ilustrowany ta\u0144cem powsta\u0142 w wyniku spotkania Micha\u0142a Rudasia (vocal), Tomasza \u201eRagaboy\u201d Osieckiego (sitar, dilruba), Piotra Malca (tabla) oraz Magdaleny Niernsee (taniec kathak). Arty\u015bci po\u0142\u0105czyli si\u0142y oraz fascynacje klasyczn\u0105 muzyk\u0105 i ta\u0144cem indyjskim, by przybli\u017cy\u0107 t\u0119 pi\u0119kn\u0105 kultur\u0119 polskiej publiczno\u015bci.","rel":"","context":"W \u201eAKTUALNO\u015aCI&quot;","block_context":{"text":"AKTUALNO\u015aCI","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/aktualnosci\/"},"img":{"alt_text":"kathak-contemporary-niernsee","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2019\/01\/kathak-contemporary-natya-raaga-project-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2019\/01\/kathak-contemporary-natya-raaga-project-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2019\/01\/kathak-contemporary-natya-raaga-project-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2015\/03\/IMG_3889.jpg","_links":{"self":[{"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/posts\/450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/comments?post=450"}],"version-history":[{"count":10,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/posts\/450\/revisions"}],"predecessor-version":[{"id":7508,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/posts\/450\/revisions\/7508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/media\/1181"}],"wp:attachment":[{"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/media?parent=450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/categories?post=450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kathak.pl\/kathak\/wp-json\/wp\/v2\/tags?post=450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}