{"id":44,"date":"2013-03-15T16:52:21","date_gmt":"2013-03-15T16:52:21","guid":{"rendered":"http:\/\/www.kathak.pl\/?p=44"},"modified":"2020-01-25T10:49:51","modified_gmt":"2020-01-25T10:49:51","slug":"theka","status":"publish","type":"post","link":"https:\/\/www.kathak.pl\/kathak\/theka\/","title":{"rendered":"Theka &#8211; tintaal, japtaal, dhamar, ashtamanagal"},"content":{"rendered":"<h1><span style=\"color: #800000;\"><em>Theka<\/em><\/span>\u00a0&#8211; powtarzalny, sta\u0142y wz\u00f3r rytmiczny (zestaw sylab mnemonicznych) okre\u015blaj\u0105cy dan\u0105 <em>tal\u0119.\u00a0<\/em><\/h1>\n<p><strong><span style=\"font-size: 18pt;\">\u00a0Sprawd\u017a sylaby dla tintali, japtal, dhamar, ashtamangal, tivra!!!<\/span><\/strong><\/p>\n<p>Taniec &#8222;<span style=\"color: #800000;\"><em>do theki<\/em><\/span>&#8221; oznacza, \u017ce tancerz egzekwuje kompozycje rytmiczne, podczas gdy muzycy graj\u0105 tylko podstawowe sylaby danej <em>taali (cyklu)<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<h2>Np <em>theka Tintali<\/em>, czyli podstawowy wz\u00f3r sylab dla cyklu sk\u0142adaj\u0105cego si\u0119 z 16 bit\u00f3w (matr):<\/h2>\n<p>|Dha Dhin Dhin Dha|<\/p>\n<p>|Dha Dhin Dhin Dha|<\/p>\n<p>|Dha Tin Tin Ta|<\/p>\n<p>|Ta Dhin Dhin Dha|<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\">Pos\u0142uchaj Theki tintali w trzech <\/span><em><span style=\"color: #000000;\">Layah<\/span>\u00a0:<\/em><\/p>\n<p><em><span style=\"color: #800000;\"><span style=\"color: #ff0000;\"><a href=\"https:\/\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/Audio.wma\"><span style=\"color: #ff0000;\">Tintal theka tabla<\/span><\/a><\/span>\u00a0<\/span><span style=\"color: #999999;\">(kliknij na wyr\u00f3\u017cniony tekst, aby odtworzy\u0107 nagranie)<\/span><\/em><\/p>\n<h2 style=\"text-align: justify;\">Dla pakhavaj, theka Tintaal grana jest tak:<\/h2>\n<p style=\"text-align: justify;\">|Dha Dhete Dhete Dha|<\/p>\n<p style=\"text-align: justify;\">|Ta Dhete Dhete Dha|<\/p>\n<p style=\"text-align: justify;\">|Kat Tete Tete Ta|<\/p>\n<p style=\"text-align: justify;\">|Tete Kata Gadi Gana|<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Theka <em>Japtal<\/em> <\/span>(cykl 10 <em>matr<\/em>\/bit\u00f3w)<\/h2>\n<p style=\"text-align: justify;\">dla ta\u0144ca:<\/p>\n<p style=\"text-align: justify;\">|Dhi Na | Dhi Dhi Na|<\/p>\n<p style=\"text-align: justify;\">|Ti Na \u00a0| Ti Ti Na|<\/p>\n<p style=\"text-align: justify;\">dla pakhavaj:<\/p>\n<p style=\"text-align: justify;\">|Dha Ge| Dha Ge Na|<\/p>\n<p style=\"text-align: justify;\">|Ti Te |Ta Ge Na|<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Theka Dhamar<\/span> (14 matr)<\/h2>\n<p style=\"text-align: justify;\">dla ta\u0144ca<\/p>\n<p style=\"text-align: justify;\">|Ka Dhi Te Dhi Te |Dha S|<\/p>\n<p style=\"text-align: justify;\">|Ga Ti Te |Ti Te Ta S|<\/p>\n<p style=\"text-align: justify;\">dla pakhavaj:<\/p>\n<p style=\"text-align: justify;\">|Ka Dhi Te Dhi Te |DhaS|<\/p>\n<p style=\"text-align: justify;\">|Ga Di Na |Di Na Ta S|<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Theka Choutal<\/span> (12 matr)<\/h2>\n<p style=\"text-align: justify;\">dla pakhavaj:<\/p>\n<p style=\"text-align: justify;\">|Dha Dha |Din Ta |Kite Dha|<\/p>\n<p style=\"text-align: justify;\">|Din Ta| Tete Kata |Gadi Gana|<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Theka Adachoutal<\/span> (14 matr)<\/h2>\n<p style=\"text-align: justify;\">dla pakhavaj:<\/p>\n<p style=\"text-align: justify;\">|Dha Dhage| Din Ta| Kit Dha|<\/p>\n<p style=\"text-align: justify;\">|Din Ta| Din Ta|Tete Kata|Gadi Gana|<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Theka Ashtamangal<\/span> (22 matry)<\/h2>\n<p style=\"text-align: justify;\">dla pakhavaj:<\/p>\n<p style=\"text-align: justify;\">|Dha S Ki Ta| Ta Ka|<\/p>\n<p style=\"text-align: justify;\">|Du Ma Ki Ta| Ta Ka|<\/p>\n<p style=\"text-align: justify;\">|Dhe S Ta S| Ka Ta|<\/p>\n<p style=\"text-align: justify;\">|Ga Di| Ga Na|<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #800000;\">Tivra<\/span> (7 matr)<\/h2>\n<p style=\"text-align: justify;\">|Dha Din Ta| Tete Kata| Gadi Gana|<\/p>\n<p style=\"text-align: justify;\">zobacz te\u017c: <a href=\"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/\">Post na temat tempa &#8211; layah<\/a><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Theka\u00a0&#8211; powtarzalny, sta\u0142y wz\u00f3r rytmiczny (zestaw sylab mnemonicznych) okre\u015blaj\u0105cy dan\u0105 tal\u0119.\u00a0 \u00a0Sprawd\u017a sylaby dla tintali, japtal, dhamar, ashtamangal, tivra!!! Taniec &#8222;do theki&#8221; oznacza, \u017ce tancerz egzekwuje kompozycje rytmiczne, podczas gdy muzycy graj\u0105 tylko podstawowe sylaby danej taali (cyklu). &nbsp; Np theka Tintali, czyli podstawowy wz\u00f3r sylab dla cyklu sk\u0142adaj\u0105cego si\u0119 z 16 bit\u00f3w (matr): |Dha [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1101,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[57,132,24],"tags":[3,22,29,28,37,36,23],"class_list":["post-44","post","type-post","status-publish","format-standard","has-post-thumbnail","category-aktualnosci","category-ciekawostki","category-technika-tanca-kathak","tag-kathak","tag-muzycy","tag-recytacja","tag-rytm","tag-theka","tag-tintal","tag-warsztaty","czr-hentry"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/s3WX9O-theka","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":450,"url":"https:\/\/www.kathak.pl\/kathak\/melodia-_tala_lehra_theka\/","url_meta":{"origin":44,"position":0},"title":"Tala | lehra | theka &#8211; cykl melodii do ta\u0144ca kathak","author":"Magda","date":"8 sierpnia, 2013","format":false,"excerpt":"Tala\/lehra\/theka podstawowe poj\u0119cia okre\u015blaj\u0105ce melodi\u0119 w muzyce indyjskiej. Jak wyklepa\u0107 tal\u0119? Jakie s\u0105 sylaby dla podstawowych tali do ta\u0144ca?","rel":"","context":"W \u201etechnika ta\u0144ca Kathak&quot;","block_context":{"text":"technika ta\u0144ca Kathak","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/technika-tanca-kathak\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2015\/03\/IMG_3889.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2015\/03\/IMG_3889.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2015\/03\/IMG_3889.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2015\/03\/IMG_3889.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":494,"url":"https:\/\/www.kathak.pl\/kathak\/tempo-layah\/","url_meta":{"origin":44,"position":1},"title":"Tempo &#8211; layah","author":"Magda","date":"9 sierpnia, 2013","format":false,"excerpt":"Tempo - layah. Umiej\u0119tno\u015b\u0107 szybkiego rozpoznania tempa, jest kluczow\u0105 dla tancerzy, kt\u00f3rzy wyst\u0119puj\u0105 do muzyki na \u017cywo. Zar\u00f3wno tancerz, jak i muzycy musz\u0105 umie\u0107 \"trzyma\u0107 sta\u0142e layah\", czyli utrzymywa\u0107 tempo. Layah powinno by\u0107 niezmienne, niezale\u017cnie od szybko\u015bci form, kt\u00f3re w nie wpisujemy. Chc\u0105c przybli\u017cy\u0107 to poj\u0119cie mo\u017cna por\u00f3wna\u0107 wyczucie layah,\u2026","rel":"","context":"W \u201eCIEKAWOSTKI&quot;","block_context":{"text":"CIEKAWOSTKI","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/ciekawostki\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/08\/muzycym.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":37,"url":"https:\/\/www.kathak.pl\/kathak\/bol-mnemoniczne-sylaby-w-tancu-kathak\/","url_meta":{"origin":44,"position":2},"title":"Jati &#8211; co to jest w technice Kathak?","author":"Magda","date":"15 marca, 2013","format":false,"excerpt":"Jati- tym okre\u015bleniem oznacza si\u0119 podzia\u0142 matry (czyli pojedy\u0144czego bitu\/taktu) wed\u0142ug wzoru rytmicznego. \u00a0 W muzyce indyjskiej wyr\u00f3\u017cnia si\u0119 5 wzor\u00f3w podzia\u0142u matry: tisra jati ? podzia\u0142 matry na 3, wz\u00f3r rytmiczny: ta ki ta chatusra jati ? podzia\u0142 na 4, wz\u00f3r: ta ka di mi khanda jati ? podzia\u0142\u2026","rel":"","context":"W \u201etechnika ta\u0144ca Kathak&quot;","block_context":{"text":"technika ta\u0144ca Kathak","link":"https:\/\/www.kathak.pl\/kathak\/tematy\/technika-tanca-kathak\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kathak.pl\/kathak\/wp-content\/uploads\/2013\/03\/birjum.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32,"url":"https:\/\/www.kathak.pl\/kathak\/kathak-dla-muzykow-i-aktorow\/","url_meta":{"origin":44,"position":3},"title":"Kathak dla muzyk\u00f3w i aktor\u00f3w","author":"Magda","date":"22 stycznia, 2013","format":false,"excerpt":"Dla aktor\u00f3w Kathak jest doskona\u0142ym narz\u0119dziem na polu wyra\u017cania uczu\u0107 i opowiadania bez s\u0142\u00f3w. Na bazie mimiki i gest\u00f3w d\u0142oni buduje histori\u0119. 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